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Showing posts with label Rock. Show all posts
Showing posts with label Rock. Show all posts

Wednesday, 11 April 2018

Tony Wright & Ryan Hamilton - Grand Ole Otley


Country music, while popular, often has a disdainful eye cast in its direction by modern day music fans.
Strangely enough this lack of respect for the genre doesn't apply as long as you call it Americana, but that's a discussion for another day because right here, right now, we are all about wrapping our ears around "Grand Ol Otley", the glorious side project of country covers released by Tony Wright of Terrorvision and Texan troubadour Ryan Hamilton.

Ryan, for those of you who are unfamiliar, is a gentleman whose star is most definitely ascending with his power pop/rock band Ryan Hamilton and the Traitors, a band that I would urge you to familiarise yourself with and then thank me later.

It's clear from the first track, a plaintive and haunting cover of Jolene with Tony taking vocal lead, that both men are bringing a great deal of passion for the material to the table for this release. This is a far cry form a vanity project. 
The term pastiche doesn't reside comfortably in the mouth, but homage certainly does.
Song after song you are left in no doubt that they are both happily immersing themselves in the performance. 
Tag teaming the material they pass the baton back and forth on the vocals and there's no hint that either will drop it.

Anyone with a passing interest in country music, or just good music in general, should consider this a must have addition to their collection. 
Tony Wrights take of In the Pines sees him adding his name to a very long list of artists who have done this traditional song justice, while Ryan Hamilton tackling of the Rolling Stones song Wild Horses is a sublime masterpiece. On an album that features many glittering jewels it is this that shines the brightest.
In so many ways this touches on being the perfect crossover album. Neither artist feel the need to grandstand and both appear to intimately understand that playing to their strengths as a team is what will provide rich dividends.
Weak links you ask? They don’t exist on this album. It starts of strong and remains strong throughout.
It's a release that they both should be extremely proud of, and one that fans of both artists should be equally enthused about lending an ear to.
The only thing left to say, and it's a question, is "when is the next one coming out?"



Friday, 29 September 2017

To the future James, and don't spare the horses.

This morning I was listening to the always excellent This Day in Music Radio podcast, and thoroughly enjoying their James piece, when Tim Booth mentioned heritage bands.
It’s not a term I had heard before, but it struck a chord.
He was talking about how the music business sees his band as a heritage one, and reading between the lines possibly irrelevant.
This was something that he obviously vehemently disagrees with. And of course he is right.
James are not known for resting on their laurels, or for working up a lather as they flog a dead horse.
By dint of their talent they are as relevant now as they were when they first grabbed the attention of music lovers in the eighties.
Always fresh, always moving forward, they are an act that will at some point deservedly be classed as hall of fame material if we in the UK had such a thing.

But to get to the heritage band point, to my understanding that would be one that no longer records and just tour a best of package.
Or if they do release new material it is lacking in any momentum and the recording is approached with the intent of touching base with past glories rather than forging forward in any sense.
That is a heritage act.
In other words, the polar opposite of what James are all about.

And then with the thoughts of who are, and aren’t, heritage bands swirling around in my head I started thinking about the popularity of the anniversary tours that are very fashionable at the moment, and the reissues of classic albums.
Both have their place and it would be churlish to have a dig as the response to both show that they are in many ways what people want, but a whispering nagging voice keeps intruding and asking questions such as ‘but what happens when the attention is driven away from all of the new material?’

The answer isn’t too difficult to reach. We all lose out.

It is a problem that the industry doesn’t seem to be interested in supporting new talent; or that of bands with a long history that keep forging forward, but it is a bigger problem if we, the public, follow suit. Because then we become complicit in the music business eating its own tail.
If the majority gravitate towards the past then there is no future.
Is that too harsh a take on it though?
I am not alone in championing new music, or artists that keep knocking it out of the park with fresh material regardless of how old they are, but this minority voice is not one that carries much weight.
I have to be honest with myself and admit that.
And while the solution isn’t really in my grasp, it is within that of all of us if we collectively reach out for it.
All we have to do is just engage with music again. It sounds very simple doesn’t it? And that’s because it is.
We can still get out there and see the big bands of yesteryear, but maybe we should all up our game and slip in a club sized gig now and then too, or how about picking up the album of the band whose one song you heard and loved. Baby steps really.
Unfortunately that does take a bit of effort though, and yeah, “give me convenience or give me death” etcetera, but the returns could very well make it all worthwhile.
By making that bit more of an effort we can all contribute to a future generation enjoying the classic hits of a band that are just forming, or even add to the longevity of the artists who refuse to find themselves so deep in a rut that all they can ever do is shout out their hits from the depths of it.

So being part of the solution isn’t really that bad an option when you consider the alternative.

And here’s a place to start. The Duncan Reid & The Big Heads gig in Nice N Sleazy (Glasgow) that I have arranged for next week. (A cheeky wink should be inserted here)

Promoting his third album they will provide a best of both worlds set, as alongside their hits of tomorrow, there will be a sprinkling of a few songs from his past with The Boys. See what I mean by best of both worlds.  
And along for the ride will be up and comers Heavy Drapes who in a previous incarnation opened for Bowies Tin Machine and The New York Dolls amongst others. A prime example of how you can teach old dogs new tricks.
And if that is just too much new material to deal with there will be 3 Minute Heroes running through plenty of punk and power pop hits to help provide the link between the old and the new.  

Something for everyone really so let’s keep the tracks greased, and if you can’t attend this gig then please do consider attending another over the next week or two. 
Go on and dip your toe in. Very often the water is lovely and there is a great deal more out there than just heritage bands, which have their place too, but don’t do anything for all our tomorrows.

I guess the point is that we should ask not what the artists can do for us, but what we can do for them.  

Friday, 22 September 2017

GUN - Acoustic in-store (HMV)

All cities have one street, or road, that is arterial in nature.
It’s the one that pumps the majority of inhabitants and visitors from A to B, or C, or wherever they need to be.
It is to all intents and purposes the cities beating heart.
In Glasgow people often cite Sauchiehall Street as such, but for those who live in the city, or frequent it often, we all know that it is really Argyle Street.
It’s where you canny shove yer granny from a bus, and if you have a talent for it you could maybe launch a jeely piece from the nineteenth floor of a tower block, and just manage to have it land there; although that is doubtful, but never the less it is the very real heart of Glasgow.
Cutting through the centre of the city it is Argyle Street that never sleeps, it never misses a beat, rarely slows down, and it is rare to see anyone standing stationary for more than five minutes, unless of course it is the living statue artists that have sprung up over the last few years.

And yet there are always exceptions to the rule, and Friday the fifteenth of September was one as around 5pm you would have witnessed a small crowd of GUN fans throwing the gauntlet down in competition with the living statues as we congregated outside the HMV store.
The reason for being there was of course to participate in watching the band perform the first of a run of acoustic instore dates arranged to celebrate and promote the release of their latest album ‘Favourite Pleasures’.

This appearance was hot on the heels of their gig in St Lukes from the previous night - a show that lit the fuse on fans rushing to social media to share how good the boys were - and an instore that was an opportunity for people like me that couldn’t attend to grab a second chance with both hands.

Waiting was in fact no great hardship, the weather was fine, (yeah really) the company congenial, and the time sprinted past as we spent it chatting with other fans about gigs attended, and those that we are planning to attend.

It wasn’t too long before we found ourselves picking up the gauntlet that we had foolishly cast down to the living statues (hey, they are professionals after all), and instead threw in the towel as the staff gave the signal that we could enter the store. Filtering past other shoppers we slipped downstairs and filled the spaces between the racks and looked to get the best vantage point of the stage that was set up adjacent to where the cashiers would be.
Managing to get front and centre, the benefits of turning up early, it wasn’t long before the band arrived and took their positions, all of them looking far fresher than any bunch of rockers have any right to when it is the early evening after the night before, and then with a little bit of banter between themselves they kicked off with Tragic Heroes, and with that they reasserted that they aren’t going anywhere. Arguably they never were anyway.
It was as we here in Scotland are apt to say 'straight out of the gates and no messing'. This was GUN in all their glory.
I've said it before, but it is worth repeating that while so many bands are seemingly happy to revisit past glories, and little else, it is GUN who are bucking the nostalgia trend and confidently proclaiming that there’s plenty of fuel left in their tank.
Pre release of the album the tracks shared with the public ably illustrated that they are looking forward rather than back and Tragic Heroes is an appropriate calling card to start the set off to remind everyone of this.

Silent Lovers followed, and acoustically it sounded like the Clash with the heavy beat of the bass dominating, but as everyone else started contributing the song burst free from the chains of the past and took flight. Two songs in and the confidence in the Favourite Pleasures material was very obvious. When they sat down to decide what to add to the set list they had plenty of fan favourites to pick from, and yet here they were measuring the new songs up and considering them either as worthy to play, or maybe more so, than much of their back catalogue.

Next they kept it all going with the slower paced Boy Who Fooled The World, which since the release of Favourite Pleasures is being called not just one of the best tracks on the album, but one of the best that the band have ever written, and from this display of it who am I to argue with that.

Leaving the new album aside the band then slipped a hand into their back catalogue to give us Crazy You, and while it was warmly received you couldn’t argue that it was embraced with any more gratitude that any of the songs that preceded it which is a good sign in itself.

Better Days was then ushered in to finish of the set, and if anyone was churlishly going to ask for something that could be called a classic GUN track then they would have had to eaten their words with its inclusion.

Three new tracks and two older ones on show and its doubtful that anyone could claim that they had been let down.

And then with the set reaching its conclusion the band left the stage and within minutes were back to sign albums and such.
In an era when VIP tickets to meet a band are fast becoming the norm it is refreshing to see one that is not only happy to meet fans, but also to chat to them and in doing so refuse to let the barrier between fan and artist to be built ever higher. 
Very often it is the little things that matter, and I think they get that.


And I guess now all that is matters for Scottish fans is the Barrowlands gig that is sitting on the horizon, and of course lets not forget that the only natural way to finish a review of any GUN album, gig, or even instore, is to shout out loud and proud ‘Mon the GUN, as they deserve it. 
So ‘Mon the GUN indeed.

Thursday, 31 August 2017

Playing catch up with QOTSA and The Idol Dead

Queens of the Stone Age - Villains.

Josh Homme is balls deep in the seventies. Maybe it was working with Iggy on Post Pop Depression that gave him the horn, but the new QOTSA album is the glam years getting a solid work out.
The Bolan estate might want to have a word as it’s so blatant, but as an aficionado of all things seventies glam I’m not too bothered about him dancing on the graves of Bowie, Bolan and Reed as he is doing it with an eye on it all being a homage, and we all love a party in a graveyard anyway.
Sex, drugs and death innit? If you are hardwired with a love of rock and roll it’s in your blood. Just admit it.  
In so many ways Villains is just a big glorious love letter to those stars of yesteryear and sometimes there’s nothing wrong with that when it is done well, and it is done well here.
Now that the album has bedded in it’s actually surprising that so many critics and fans are currently sitting on the fence and offering lukewarm opinions about Villains.
You could be forgiven for thinking that it’s an album you could wait to get around to picking up, but if the sound of the halcyon days of the androgynous rock years floats your boat then you should certainly do yourself a favour and ignore all the milquetoast chatter and grab a copy now.
This could be the album of the year for you.
Let’s not beat around the bush. The mash up of QOTSA and glam rock is a match made in heaven.  

    


The Idol Dead – Tensions & Release

Justice! If there was any justice in the world The Idol Dead would be rock and roll behemoths. They would be laying waste to stadiums and bringing back the golden years when rock stars roamed the earth as gods, but right now the world is having a passing infatuation with lowest common denominator shit so the guys will just have to bide their time.
Yeah I know it’s all subjective but who is in charge here?
Maybe the next album can be called. Wrong place, Wrong Time, All the Time, but regardless of what is currently in and out it can’t really be denied that with this release they have knocked it out of the park. It’s a home run album in every sense of the phrase.
Its dirty rock and roll sung and played with punk attitude and there’s no weak links on show. Every song is up there trading blows with the big boys and girls who have the platinum discs hanging in their bathrooms, and on more than one occasion it is the Idol Dead that is landing the heavier punches.
Fingers crossed the band do a UK wide tour in support of this. The Idol Dead are what the music scene needs just now. They are the defibrillator that needs to be pressed hard against the chest of the dead horse that the music biz keeps flogging.

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Friday, 28 July 2017

Mick Jagger - England Lost

Quite a few Rolling Stones fans seem to be struggling with the latest release from Mick Jagger.
Working with grime artists and making what has been described as an overtly political album has left them discombobulated. 
Maybe it is the after effects of his solo material coming off of the back of the back to the roots sound of Blue and Lonesome that is the problem.
Few could have been expecting this, but is it really as bad as some are claiming?
It's not as if members of the Stones have not explored different sounds. Some Girls is for some a funky disco rock masterpiece and Micks side project SuperHeavy rarely stuck to the blues rock template of the Stones.  

Give it a week, let it settle in a bit, and then make a judgement call. 

It's okay to wait until you get it, or don't. 

Tuesday, 20 June 2017

Alice Cooper - Paranormal

With excitement mounting surrounding the forthcoming tour from Alice Cooper, the tour that will feature original band members, it would be remiss of fans to forget that there is a new album called Paranormal on the horizon.


July 28th in the UK to be precise about it.

With fan filmed live show footage appearing online and a whole host of special guests, including the aforementioned original band members, making an appearance the album is shaping up to be something rather special.


The albums track listing has already been revealed as ;
Dead Flies
Fireball
Paranoiac Personality
Fallen in Love
Dynamite Road
Private Public Breakdown
Holy Water
Rats
The Sound of A
Genuine American Girl
You And All Of Your Friends

There is also a mini album that accompanies this release which thankfully is included with the vinyl edition.

The mini album was recorded live in Columbus, Ohio on May 6th, 2016, with the current Alice Cooper band and features:
No More Mr. Nice Guy
Under My Wheels
Billion Dollar Babies
Feed My Frankenstein
Only Women Bleed
School’s Out

You can preorder the album here.

Below is the stream of the first single from it Paranoiac Personality.  

Tuesday, 13 June 2017

[SPUNGE] bath time.

Last time [SPUNGE} played in Glasgow it was a night of catching up with friends old and new to the backdrop of a whole lot of infectious ska punk being played.
A pint or two was consumed and the band provided an aerobic workout for some of us who really should know better.
It's doubtful that this Wednesday things will be any different.
Whether anyone wants to relive their board short past or are just looking for something to do midweek as an alternative to drowning in a deluge of soap operas then there's no doubt at all that this is the band who will deliver the goods to you. 

Support comes from the always excellent Strung Out Nights and Bad Impression.
You can click on Strung Out Nights and message for discounted tickets.

Sometimes the best nights out are those that are arranged last minute.
This will be one of those if you haven't already committed to it.

Event details

Monday, 22 May 2017

Mondays reviews #3 Featuring Heavy Tiger, The Dives, Afghan Whigs and Cyanide Pills

Heavy Tiger – Glitter.

Heavy Tiger man!
They’ve got more stomp than Godzilla on the rampage, they’re as trashy as a New York Dolls after party, and certainly as glam as a seventies episode of top of the pops.
Glitter sounds like Josie and the Pussycats brought up on a diet of The Sweet during the day and Max’s Kansas City at night.
The Runaways for Generation Z?
You better believe it.
Throw in some Hanoi Rocks, Hellacopters and Cheap Trick and it’s a recipe for a glitter bomb.
Light the fuse and step back because when this goes off it will start the party to end all parties.
Do you like a bit of sugar with your rock and roll sir?
No problem. There’s enough sprinkled throughout Glitter that after ingesting it you will be screaming at the ADHD kid to keep up.
Not that any of this should give the impression that the album is lightweight.
It’s not.
It’s solid from start to finish. A quality rock and roll album that never considers for a moment that it needs to pander to trends.
Guitar bands are coming back; I would bet my hat on it, and I love my hat.
Suzi Quatro must have felt a disturbance in the force when Glitter was released.


The Dives - Everybody’s Talkin’

They say that there is nothing new in the world. Everything is a rehash of something that has come before, and all artists can do is breathe new life into a mixed bag of what they can pilfer from the past.
There may be some truth to that, but who cares when New York power pop quintet The Dives are the band dipping into their broad influences and coming up with the Everybody’s Talkin’ ep.
One minute they sound like Stiff records revivalists, and you know what they say about that ‘if it ain’t Stiff, it ain’t worth a fuck’ and then the next it is The Knack filtered through the punk pop of the nineties.
And let’s not ignore the tip of the hat to Cheap Trick too.
These boys ain’t slacking.
As introductions go then this ep is as fine a place to start as any.
With so much good music surfacing at the moment it is difficult to elevate one particular act to the top of the list that you should check out, but The Dives would be in the top five.

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Afghan Whigs - In Spades

Over the course of seven previous studio albums the Afghan Whigs have never stood still. Every release has seen the band evolving.
And now with In Spades they have moved fractionally forward again.
The brass and orchestration paired with some sublime guitar work is a heady mix, but with the increasingly more mature sounding vocals of Gregg Dulli the album just goes off the charts.
It’s as ambitious as anything that they have conjured into existence during their thirty and a bit year career.
Tight and lean the band is cementing a reputation as being one of the greatest survivors from the alt rock scene of the late eighties and early nineties.
No one sits Afghan Whigs in the corner baby.
They were never easily categorized, never a band that could be slipped into a genre box
Instead they had to be forced into the box while kicking and screaming and clawing to get back out.
And now they have reached the point that they have left behind any attempts to try to limit them with a genre tag.
They are the Afghan Whigs.
No more, no less, and instantly recognisable as such. They are the kings of their self made scene, the singular entity in their soulful rock universe.
This is without a shadow of a doubt a masterful career high.
Where to go next from In Spades though? That is the question



Cyanide Pills – Sliced and Diced

The band must be getting tired of Buzzcocks references by now, but it is difficult not to name drop the legends in the same breath.
Mainly because it is so obvious that it’s Cyanide Pills who are next in line for that melodic punk rock throne.
In fact ‘Oi, Shelley, Diggle. Move your arses. It’s time to pass the baton on.’
Let’s not beat about the bush here.
And let’s not ignore the references to The Boys in what the band do too.
On I don’t remember it sounds like a spiky rendition of a Boys classic with the added bonus of it being a socially conscious anthem for the times.
That’s not the only track to slap back at the current state of play in the world, but no one should consider for a second that the band are devolving into the stereotype of the anti establishment punk band as they are definitely not relinquishing their tightly held grip on a melody and a hook.
Snotty and defiant and a must have for any self respecting malcontent with a song in their heart sums up Sliced and Diced.
You want a punk rock contender for 2017? Then look no further.

Tuesday, 16 May 2017

If you are looking for trouble then look no more. Trouble Maker is imminent. (Rancid)

It's not long until Trouble Maker, the ninth album from punk rock legends Rancid, arrives.

With a release date of June the 9th the countdown has begun.
Meanwhile the teaser tracks that have been released have certainly done their job in building up the anticipation.

First it was Ghost of a Chance and today we have been given Telegraph Avenue to wrap our ears around.
Neither disappoint, and the fans who have tickets to see them alongside Green Day in the UK must surely be steeling themselves for a double header that kicks the idea that punk can't do stadiums right in the teeth.

Tour Dates
June
28 Belfast Ormeau Park
29 Dublin Royal Hospital Kilmainham
July
1 London British Summer Time Hyde Park
4 Glasgow Bellahouston Park

Tuesday, 9 May 2017

The Rolling Stones are coming. Lock up your wallets.

Easter has slipped past, but let's roll away the stone again. 

The Rolling Stones have announced mainland European dates, and the possibility of UK ones being imminent have rockers old and new getting all hot and bothered.

I’m personally itching to see them again.

There is one stumbling block though, and that is ticket prices.
Without knowing how much that they will be, it will be a given that they will not be cheap.
Financially a ticket, or two, could possibly be a few light years beyond my reach, but who knows?   
Only time will tell.
I’m already rationalizing a budget that is not feasible.

9 September – Hamburg, Germany: Stadtpark
12 September – Munich, Germany: Olympic Stadium
16 September – Spielberg, Austria: Spielberg at Red Bull Ring
20 September – Zurich, Switzerland: Letzigrund Stadium
23 September – Lucca, Italy: Lucca Summer Festival-City Walls
27 September – Barcelona, Spain: Olympic Stadium
30 September – Amsterdam, Holland: Amsterdam ArenA
3 October – Copenhagen, Denmark: Parken Stadium
9 October – Dusseldorf, Germany: Esprit arena
12 October – Stockholm, Sweden: Friends Arena
15 October – Arnhem, Holland: GelreDome
19 October – Paris, France: U Arena
22 October – Paris, France: U Arena